Jaipong Dance (Indonesian Dance)

Indonesia is not just rich in culture but additionally rich with a variety of arts, dance arts jaipong lone who comes from west Java. The following is a bursting explanation of jaipong dance, ranging from understanding jaipong dance, dance history and development of Dance jaipong jaipong.

Dance jaipong

Jaipongan is a rivulet of dance with the aim of was born from the creativity of an comedian from Bandung, Gugum Gumbira. Attention to folk art, lone of which is Tap Tilu makes knowing the patterns of dance movement traditions exist in Kliningan / Bajidoran or Tap Tilu. Opening schedule, pencugan, nibakeun and several kinds of movement of several arts mincid higher than hold a sufficient amount inspiration to develop a dance or art with the aim of is right away notorious as the Jaipongan. Having the status of a social dance, dance Jaipong successfully urban by the comedian dances are in style in the kinship of Sunda and highly favored by the make somewhere your home of West Java (in particular), and even in style until outside West Java.

Calling Jaipongan in point of fact not recently be reminiscent of the kind of nice-looking traditional Sundanese dance with dynamic movement. Hands, shoulders, and hips for all time been a dominant part in the pattern of the sprightly movement, accompanied by beating drums. Especially in female dancers, all of it is for all time accompanied with a sweet smile and cast in the eye. This is the kind of social dance in traditional Sundanese dance with the aim of emerged in the recent 1970s with the aim of its popularity to this date still live in the kinship.

History of Dance Jaipong
 

Before this form of performance art program, near are several forms of dance influences behind this alliance. Indoors West Java, instead of model, social dance is the influence of the Ball Room, which is generally in a social dance, may well not be separated from existence and pamogoran ronggeng. Ronggeng in social dance is rebuff longer functioning instead of activities of the ceremony, but instead of entertainment or a way of killing unfashionable. The existence ronggeng in the performing arts has an appeal with the aim of invites sympathy instead of the pamogoran. For model on Tilu Tap dance is so well notorious by the Sundanese make somewhere your home, is likely this art in style around the time 1916. Having the status of the folk performing arts, this art is supported just by unfussy elements, such as waditra with the aim of includes fiddle, drums, two kulanter, three percussion, and gongs. Similarly, the dance schedule with the aim of organize not hold a standard pattern of movement, a unfussy outfit performer as a reflection of democracy.

Along with the waning type of art higher than, the ex- pamogoran (spectators who amusement an enthusiastic role in the performing arts Tap Tilu / Doger / Tayub) switched its attention on the performing arts Kliningan, which in the north coast of West Java (Karawang, Bekasi, Purwakarta, Indramayu, and Subang ) notorious as Kliningan Bajidoran dance patterns and measures with the aim of program has more or less similarities with the before art (Tap Tilu / Doger / Tayub). Indoors the meantime, the existence of cloaked dances in Banjet quite in style, especially in Karachi, someplace more or less Bajidoran movement pattern taken from the dance in this Banjet Mask. Indoors koreografis dance is still bring to light the patterns of tradition (Tap Tilu) which contains elements of the opening schedule, pencugan, nibakeun and several kinds of movement mincid which in twirl turn into the basis of the creation of dance Jaipongan. Some basic dance schedule Jaipongan apart from Tap Tilu, Ibing Bajidor and Mask Banjet is Tayuban and Pencak Silat.

Dance jaipong

The appearance of dance facility Gugum Gumbira at the start called Tap Tilu development, with the aim of is for the reason that it is a basic dance from Tap Tilu development. The originally operate Gugum Gumbira still very thick with color Ibing Tilu Tap, both in conditions of choreography and iringannya, who subsequently dance it became popularly notorious as Jaipongan.

Typical Jaipongan kaleran sort, which is fun, erotic, humorous, excitement, spontaneity, and simplicity (naturally, whatever they are). This was reflected in the pattern of presentation of dance on the program, near is a specified pattern (Ibing pattern) as in art Jaipongan in Bandung, additionally near are additionally dances with the aim of are not dipola (Ibing Saka), instead of model in art Jaipongan Subang and Karawang. This name can be found in Jaipongan kaleran sort, especially in the area of Subang. Indoors the presentation, this kaleran Jaipongan sort, as follows: 1) Tatalu; 2) Flower Gadung; 3) Fruit Kawung Gopar; 4) Dance Opening (Ibing Pattern), generally performed by a single performer or Sinden Tatandakan (sinden attack but can not sing but dance songs sinden / interpreter kawih); 5) Jeblokan and Jabanan, is part performance as the audience (Bajidor) Sawer money (jabanan) while welcome paste. Jeblokan name is defined as couples who advanced relating sinden and the audience (Bajidor).

Dance Development Jaipong

Work Jaipongan originally began to be notorious by the freely available is dance "Leaves Pulus Keser Bojong" and "Rendeng Bojong" both of which are types of dance girls and dance in pairs (boys and girls). From the dance with the aim of emerged a a small amount of names with the aim of are trustworthy Jaipongan dancers like Tati Saleh, Yeti Mamat, Eli Somali, and Pepen Dedi Kurniadi. Early appearance of the dance had turn into a conversation; the central announce is the movement of the erotic and bad. But from the a small amount of print media exposure, last name Gugum Gumbira seemly notorious society, especially afterward the dance Jaipongan in 1980 staged by the central station TVRI Jakarta. The crash of the popularity of the more increases the frequency of performances, both in the method of television, a celebration or celebrations held by the secretive sector and government.

Attendance Jaipongan hefty contribution towards the instigators of the art of dance to more actively explore the types of folk dances with the aim of were previously excluding attention. With the appearance of dance Jaipongan, used by activists to organize dance courses dance Jaipongan, used additionally by businessmen pubs as a red herring night invited guests, someplace the development of broaden topic opportunities this kind of dance was formed by activists as an effort by the money-spinning empowerment Dance Studio names or groups in more or less areas of West Java, instead of model in Subang with Jaipongan sort "kaleran" (north).

Further development occurred dance Jaipongan in 1980-1990's, someplace Gugum Gumbira create an alternative dance such as Toka-toka, Setra Sari, Sonteng, Pencug, Heron dazed, parade procession Leaf-Puring, Rawayan and dance Kawung Anten. From these dances appear more or less skilled dancers Jaipongan include Iceu Effendi, Yumiati Mandiri, Miming Mintarsih, Nani, Erna, Mira Tejaningrum, Ine Dinar, Ega, Nuni, Cepy, Agah, Aa Suryabrata and Asep.

Today the dance Jaipongan be called as lone of identity West Java culture, this is perceptible on several main measures concerning to visitors from foreign countries who came to West Java, it was greeted with Jaipongan dance performances. Similarly, with art missions to foreign countries for all time equipped with a dance Jaipongan. Dance Jaipongan affect many other crafts in the kinship of West Java, both on the art of wayang/puppet, gamelan, Genjring / Terbangan, Kacapi jaipong, and almost all freely available performances as well as on up-to-the-minute dangdut song which collaborated with Jaipong.

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